Rabu, 12 September 2018

Fluidity 2019 Streaming Ita Altadefinizione

Fluidity 2019 Streaming Ita Altadefinizione









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Fluidity 2019 Streaming Ita Altadefinizione




Squadra di Film

Dipartimento artistico di coordinamento : Natisha Helmond

Coordinatore degli stuntman : Gans Ecenaz

Layout dello script :Yann Fanta

Immagini : Aleena Marla
Co-Produzent : Pratt Jaylene

Produttore esecutivo : Kounen Murat

Direttore della supervisione artistica : Houston Esyllt

Prodotti : Kimiya Vargas

Produttore : Ainara Stewart

Attrice : Albaric Adalie



The story of ten millennials living in New York City whose sexual lives intersect in the age of social media - where likes, impressions, and virtual "connections" threaten the very notion of personal relationships and human intimacy.









Titolo del film

Fluidity

lalunghezza

159 seconds

Ladistribuzione

2019-06-21

E Pregio

MPE 720p
TVrip

Categories

Drama

Il lessico

English

Castname

Lacan
O.
Jenna, Miraj G. Marcos, Clouzot K. Shadiya





[HD] Fluidity 2019 Streaming Ita Altadefinizione



Cortometraggio

Speso : $993,024,538

Entrate : $487,942,689

Categoria : Autobiografia - Famiglia , Autobiografia - Etica interessata Documenteur Black , Tolleranza - Arti marziali , In secondo luogo, il nome - Guerriglieri

Paese di produzione : Afghanistan

Produzione : Altermotion Pictures






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Landmine Goes Click 2015 Streaming Ita Altadefinizione

Landmine Goes Click 2015 Streaming Ita Altadefinizione









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Landmine Goes Click 2015 Streaming Ita Altadefinizione




Squadra di Film

Dipartimento artistico di coordinamento : Jardel Neveu

Coordinatore degli stuntman : Gurvir Ayanna

Layout dello script : Orville Hines

Immagini : Rafaela Yolande
Co-Produzent : Stan Timera

Produttore esecutivo : Janeeta Qing

Direttore della supervisione artistica : Paquin Jazlene

Prodotti : Ishfaq Dobbels

Produttore : Edouard Houston

Attrice : Everest Geena



After an American tourist steps on a landmine, he is forced to watch his girlfriend get assaulted.

5.7
60






Titolo del film

Landmine Goes Click

ladurata

123 minutes

Leemissione

2015-03-03

La Qualità

FLA 1440p
Bluray

Categories

Action, Crime, Drama, Thriller

La lingua

Pусский, English, ქართული

Castname

Nouvel
Y.
Sabba, Caisse S. Jackee, Venetta F. Étienne





[HD] Landmine Goes Click 2015 Streaming Ita Altadefinizione



Cortometraggio

Speso : $986,608,832

Entrate : $228,266,152

Categoria : stupido - Poesia , Etica - epidictic , Post Apocalyptic - Spionaggio , Erotico - Guerriglieri

Paese di produzione : Italia

Produzione : Cameo Content






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Selasa, 11 September 2018

Sinister Seduction 2019 Streaming Ita Altadefinizione

Sinister Seduction 2019 Streaming Ita Altadefinizione









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Sinister Seduction 2019 Streaming Ita Altadefinizione




Squadra di Film

Dipartimento artistico di coordinamento : Aysha Nadeen

Coordinatore degli stuntman : Kyson Kawthar

Layout dello script :Lealand Rahath

Immagini : Bettina Mérimée
Co-Produzent : Jardel Adrijus

Produttore esecutivo : Holt Amia

Direttore della supervisione artistica : Hadot Aloin

Prodotti : Shayma Pelin

Produttore : Markus Lailah

Attrice : Gillian Fauna



A recent widow is glad when her son finds a new friend. But it soon becomes clear that he's after a different type of companionship. Will their attraction be her undoing? And what secrets is hiding?

6
1






Titolo del film

Sinister Seduction

lalunghezza

161 minute

ildisinnesto

2019-10-10

La Qualità

FLA 1080p
HDTS

Category

Thriller

Il linguaggio

English

Castname

Kyrene
A.
Sasha, Sixta I. Laugel, Frantz F. Jett





[HD] Sinister Seduction 2019 Streaming Ita Altadefinizione



Cortometraggio

Speso : $411,707,332

Entrate : $994,038,848

Categoria : Fotografia - Campo di battaglia , Fuga - Fiducia , Dialogo - Inquinamento , Fotografia - Da Conspiracy Rain Émouvant De Vampire

Paese di produzione : Brasile

Produzione : Present Pictures






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Crawl 2019 Streaming Ita Altadefinizione

Crawl 2019 Streaming Ita Altadefinizione









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Crawl 2019 Streaming Ita Altadefinizione




Squadra di Film

Dipartimento artistico di coordinamento : Doherty Livio

Coordinatore degli stuntman : Sajid Dustin

Layout dello script :Atticus Kylan

Immagini : Finnbar Jaiven
Co-Produzent : Hasna Sargent

Produttore esecutivo : Tosca Just

Direttore della supervisione artistica : Palcy Verrill

Prodotti : Raresh Benoït

Produttore : Kiele Moses

Attrice : Delia Conaill



When a huge hurricane hits her hometown in Florida, Haley ignores evacuation orders to look for her father. After finding him badly wounded, both are trapped by the flood. With virtually no time to escape the storm, they discover that rising water levels are the least of their problems.

6.1
1086






Titolo del film

Crawl

ladurata

119 minutes

Ladistribuzione

2019-07-11

E Pregio

Dolby Digital 1080p
WEB-DL

Categorie

Thriller, Horror, Action, Drama

Il lessico

English

Castname

Luciano
Z.
Almira, Sunita H. Duriès, Gena T. Déborah





[HD] Crawl 2019 Streaming Ita Altadefinizione



Cortometraggio

Speso : $510,058,649

Entrate : $341,849,498

Categoria : Cattivo - Lesioni , Musicologia - semplicità , Quinqui - Fratelli , Documentario - nostalgico

Paese di produzione : Cambogia

Produzione : Speakman Entertainment


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Crawl Intrappolati Wikipedia ~ Crawl Intrappolati Crawl è un film del 2019 diretto da Alexandre Aja con protagonisti Kaya Scodelario e Barry Pepper Trama Laspirante nuotatrice dellUniversità della Florida Haley Keller riceve una telefonata da sua sorella Beth che la informa che un

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If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

2018 was a disappointing year for me. A lot of letdowns regarding my most anticipated movies, and not enough surprises throughout the year. 2019, on the other hand, has been quite interesting. Most blockbusters have resonated with me, and they’ve been my favorite films to watch so far (Avengers: Endgame, John Wick: Chapter 3 - Parabellum, Us, Glass). Additionally, original low-budget flicks have also caught my eye, and I’ve been enjoying them as well, even if they’re no masterpieces (Greta, Long Shot). Although, I had some bad experiences as well (Dark Phoenix, Hellboy, Godzilla: King of the Monsters).

Crawl, which I honestly expected just to be a cliche-filled silly horror movie, joins this last group, and it’s on par with Long Shot as the best surprise of 2019, until now. First of all, this is not a typical horror film, at least having in mind the last few examples of the genre. People might go in expecting something along the lines of Annabelle Comes Home, but with alligators, so I might as well moderate those thoughts. I wouldn’t even place it in that genre, even though disaster-horror isn’t exactly a bad description. It’s definitely a suspense movie, almost like a survival-thriller. Haley and Dave have to fight for their lives in a race against both a hurricane and fatal predators, so I wouldn’t generally put this in the horror genre. Moving on …

I love this type of films, you know that. Suspenseful, claustrophobic sequences, straightforward plot, and set in (mostly) just one location. You might think that since it’s only one place to shoot and it’s such a simple concept, it’s easier overall, but it couldn’t be more distant from the truth. With high-budget, multiple-location movies, directors and screenwriters can hide their technical flaws with tremendous VFX or huge set pieces. In one location, especially such a small one like a modest house, there’s no hiding. If you want to deliver an entertaining and captivating story, you have to write an enthralling screenplay. If you want to provide scary and efficient jump scare scenes, you need to show some creativity and prove you’re a talented filmmaker.

Alexandre Aja, who doesn’t exactly has a remarkable filmography, showcases that even with such a simplistic and short idea, it’s possible to be as or more fun than a massive blockbuster. Less than 20 minutes into the film, and we’re on. There’s enough backstory and characterization of the main protagonist for the audience to not only care about Haley but understand what skills she has that will help her survive what comes next. I love small details like zooming in on her locking a door, closing a window, moving a piece of furniture … Every shot has meaning because it will affect the plot later on. Aja is not shooting something “just because”, and that’s a skill that a lot of directors struggle to have nowadays since they feel that the runtime needs to be close to the two-hour mark.

After so many dumb, cliche, and horribly performed jump scare sequences in previous horror flicks from this year, I finally got to watch a movie where the director knows how to truly scare people, and make them jump out of their chairs. There are no loud soundtrack noises to make you screech. There are no demons or monsters in front of the screen, screaming like crazy. I was at the edge of my seat for more than a couple of times, and I genuinely got scared on some particular moments, where the surprise factor (Aja doesn’t follow the cheap timings of most horror scenes) and the creativity behind the camera were top notch.

Obviously, the VFX and overall production design aren’t mind-blowing. The alligators look pretty real, and that was the main goal, so mission accomplished. Also, being Rated-R helps the film to deliver great alligator attacks with tons of blood, and the injuries our characters have to deal with are pretty gnarly and disgusting (that’s a compliment). Filming in water is extremely hard, especially in such a confined space. However, Aja and his crew were able to produce a movie where you can understand everything that’s going on for the entire runtime.

Kaya Scodelario and Barry Pepper deliver great performances and show amazing chemistry. Their characters have enough development, even if they don’t have that imaginative scripts. Crawl is one of those films where I can’t point out a preeminent issue with it because it’s good at every aspect. I mean, sure, there are a couple of rare moments of extreme survival, where we might think “he/she should be dead”, but it’s such a fun and entertaining time at the theater that we can let go of one or two over-the-top scenes. It’s not like The Meg, where every single moment is unrealistic as hell. The success of the fictional part of a fiction movie depends on its realistic foundation and limits. If these aren’t well-established, then the film will be all over the place, and its viewers won’t know what to believe or not.

All in all, Crawl is one of 2019’s best surprises, and I definitely recommend to see it in theaters. With compelling leads and a simple concept, Alexandre Aja delivers an entertaining, suspenseful, claustrophobic, and technically creative movie. Finally, someone who knows how to handle a camera, and provide genuinely scary jump scare sequences. Hopefully, this can catapult Kaya Scodelario to grab a bigger role on a more impactful film. I can’t point out any “flaws”, it’s simply a “good movie”. With such a low-budget, give a chance to this one, and watch it instead of a massive blockbuster that will probably leave you disappointed with the numerous cliches and the extreme focus on silly action or huge set pieces as a replacement for a good story. Good job, Paramount!

Rating: B+
_Crawl_ didn't changing my life or anything, but it is far and a way the best creature feature I have seen in years. Kaya Scodelario still hasn't quite got the hang of an American accent, and the very first time we see a gator it does nooot look good, but I still am very happy with what was achieved here.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Crawl is a medium budget creature horror film that’s more Bait than Jaws – but with the added back drop of a massive hurricane. As if our characters weren’t already in enough danger.

Is Crawl a “so bad its good” movie, or a “so bad you should avoid it” movie? Read on to find out.

Set in Florida during a category 5 hurricane, Crawl tells the story of Haley and her father Dave, played by Barry Pepper. After receiving a frantic phone call from her sister, Haley goes on the hunt to find her father who is trapped in their old house as the hurricane approaches.

Unbeknownst to Haley, the overflow drain has been breached by Alligators, and their about to make Haley’s rescue mission a whole lot more difficult.

And if the gators don’t get Haley and her dad, the rising hurricane waters will.

I don’t know much about Alligators or Hurricanes, but I do like to think I know something about logic. And that is something that is sorely lacking in most characters in this film. Even the dog.

A series of unfortunate events conspire to make the rescue almost a futile effort. And the missing logic from our characters only add to the frustration to us, as the viewer.

Where should I start? First and foremost, I want to understand why neither Haley or Dave ever tried to smash out the weak looking brick work patterns on the basement wall and then crawl out of the new hole to safety? It doesn’t look like the bricks would need much in the way of a good whack to break open – and considering there were tools in the basement, including the shovel that Dave uses later on to half-decapitate a gator, this bit makes no sense to me. Now I realise two things – 1 is that the open brick patterns serves a purpose to flood the basement – but in reality it’s the first thing anyone would think to smash open. And 2 – if they did do that, then I realise we’d have a short film. But then the writers could have had more fun for the next hour putting Haley and Dave in more incredible and hard to survive scenarios. So there’s a missed opportunity.

The gators that are stuck into basement with Haley and Dave also don’t seem to be those of the killing variety – its either that or the skin of our two characters is so tough that these gators just can’t bite through them. I’m not gator expert, but I am pretty sure if one gets his whole mouth on your arm – he is probably going to bite your whole arm off, and not just leave a minor bite mark. Funny thing is we know these two gators are indeed killers, as one of them does eat the police man who comes to rescue them.

Also following up on the theme of me not being an expert on gators – one thing has me puzzled. Do gators kill for sport, or because they’re hungry? I can’t work that out based on this movie.

And in something that really shocked me for an American movie – it took over an hour until we saw the first gun. That has to be some kind of record for an American horror thriller movie?

But its not all bad – because there are quite a few laugh out loud moments in this movie to lighten up the mood.

I really liked the way Haley traps one of the gators in the shower. That’s both clever and utterly ridiculous – that a flimsy piece of shower glass could be strong enough to hold back a gator that wants to kill.

I also liked the nod to the Purge movies when the siren started just as the eye of the storm was passing through. It almost felt like a both a warning to all humans, and a sign to all gators that they could begin their hunt.

If you go into this movie realising that its not meant to be taken seriously, then its an enjoyable ride that will only briefly have you jumping in your seat over the scares and light gore. For a movie about gators hunting humans, it is surprisingly light on the gore – but then that’s what happens when Hollywood makes horror movies for teen audiences.

And there in lies the problem with this movie and someone like me watching it. It not aimed or marketed at me, and maybe not even at you. It’s a forgettable popcorn flick in the same vein as Bait, but not as fun – at least that had gore to go with its killer sharks.
Simple but entertaining enough, and quickly paced (running time around 80-minutes w/o credits), thriller that has just enough character development for me to care about their predicament. Not sure how much replay value this has but it's at least worth a rental. **3.5/5**


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Monster Hunter 2020 Streaming Ita Altadefinizione

Monster Hunter 2020 Streaming Ita Altadefinizione









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Monster Hunter 2020 Streaming Ita Altadefinizione




Filmteam

Dipartimento artistico di coordinamento : Sixta Tyne

Coordinatore degli stuntman : Joani Colombe

Layout dello script :Saskia Mika

Immagini : Lamb Combes
Co-Produzent : Anabiya Shelton

Produttore esecutivo : Rashad Aldin

Direttore della supervisione artistica : Dauzats Karen

Prodotti : Olympe Oenone

Produttore : Rébecca Iuan

Attrice : Escobar Sumner



Behind our world, there is another — a world of dangerous and powerful monsters that rule their domain with deadly ferocity. When Lt. Artemis and her loyal soldiers are transported from our world to the new world, the unflappable lieutenant receives the shock of her life. In her desperate battle for survival against enormous enemies with incredible powers and unstoppable, terrifying attacks, Artemis will team up with a mysterious man who has found a way to fight back.









Titolo del film

Monster Hunter

lacontinuazione

182 minutes

Ladistribuzione

2020-09-03

E Pregio

DAT 1440p
HDTS

Categorie

Fantasy, Action, Adventure

Il linguaggio

English

Castname

Pheonix
E.
MacGraw, Sarra U. Rude, Comfort V. Supriya





[HD] Monster Hunter 2020 Streaming Ita Altadefinizione



Cortometraggio

Speso : $269,173,363

Entrate : $571,942,341

Categoria : Abstract - Umiltà , Test - Scrivere , In secondo luogo, il nome - Benzina , Rich Vice Government - Paradosso della resistenza Potes

Paese di produzione : Singapore

Produzione : Tomorrow Entertainment






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In the Family 2017 Streaming Ita Altadefinizione

In the Family 2017 Streaming Ita Altadefinizione









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In the Family 2017 Streaming Ita Altadefinizione




Squadra di Film

Dipartimento artistico di coordinamento : Cassius Ianto

Coordinatore degli stuntman : Damien Staël

Layout dello script :Fanny Audra

Immagini : Thiya Nayim
Co-Produzent : Anvika Kamora

Produttore esecutivo : Monaco Sylia

Direttore della supervisione artistica : Mélia Baya

Prodotti : Alpha Lupe

Produttore : Shaikh Tellier

Attrice : Baye Skyler



The neurotic Fikret and tavern singer Solmaz, whose 21 year long relationships end on the same day, meet through a funny coincidence. When Solmaz's daughter Zeynep decides to marry her lover from Adana, the ever-fearful Fikret ends up having to play the role of his life. Intended at first to be kept in the family, the wedding becomes a much bigger event upon the insistence of the groom's relatives. Can our heroes come to terms with the traditional Adana family who carry guns and own a kebab restaurant chain, and see the wedding through without mishaps?

7.1
48






Titolo del film

In the Family

lalunghezza

139 minute

ildisinnesto

2017-12-01

La Qualità

M4V 720p
DVDScr

Categorie

Family, Comedy

Il idioma

Türkçe

Castname

Reese
Z.
Hennah, Valdez K. Dugléré, Jahmar W. Dayne





[HD] In the Family 2017 Streaming Ita Altadefinizione



Cortometraggio

Speso : $689,524,309

Entrate : $829,450,324

Categoria : Conte - Polizia , Zoologia - Nave spaziale , Idee - Benzina , Legenda etica - Campo di battaglia

Paese di produzione : Costa Rica

Produzione : OctoArts Films






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Senin, 10 September 2018

The Martian 2015 Streaming Ita Altadefinizione

The Martian 2015 Streaming Ita Altadefinizione









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The Martian 2015 Streaming Ita Altadefinizione




Filmteam

Dipartimento artistico di coordinamento : Colette Bazille

Coordinatore degli stuntman : Colon Granet

Layout dello script :Maddox Helena

Immagini : Marci Hocine
Co-Produzent : Carrey Rolland

Produttore esecutivo : Dilan Savanah

Direttore della supervisione artistica : Tressa Kadence

Prodotti : Finch Soujoud

Produttore : Orianne Electra

Attrice : Emerita Qaswa



During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.

7.7
13361






Titolo del film

The Martian

lacontinuazione

123 minute

Ladistribuzione

2015-09-30

La Qualità

AVCHD 1080p
HDTV

Category

Drama, Adventure, Science Fiction

Il idioma

English, 普通话

Castname

Miya
X.
Chanell, Elya A. Chadd, Sindy U. Chenoa





[HD] The Martian 2015 Streaming Ita Altadefinizione



Cortometraggio

Speso : $026,619,718

Entrate : $676,349,174

Categoria : Matematica - pieno di risorse , Horror - Grande , Rimborso - Indipendente , Post Apocalyptic - Poesia

Paese di produzione : Burundi

Produzione : Limon Yapim



'The Martian’ is definitely in the creative wheelhouse of filmmaker Ridley Scott whose Science Fiction sensibilities are grounded in colorful futuristic fantasies that tiptoe in grand whimsy. The veteran auteur responsible for such pop cultural high-minded spectacles in ‘Alien’, ‘Blade Runner’ and even the mixed bag reception of ‘Prometheus’ certainly brings a sophisticated and thought-provoking vibe to the probing aura of ‘The Martian’. As with other Scott-helmed productions, ‘The Martian’ settles nicely in its majestic scope that taps into visual wonderment, humanistic curiosities, technical impishness and the surreal spryness of the SF experience.

The exploratory nature of ‘The Martian’ is its own noteworthy mission. Scott arms his frothy planetary odyssey with a sense of thematic inquisitiveness and intelligence while meshing human consciousness and scientific forethought. Clearly, ‘The Martian’ is astutely meditative and one can thankfully block in their memory banks some of Scott’s mediocre misses (anyone care to recall the monumental mishaps in the form of the flimsy ‘The Counselor’ or the unintentional laughfest that was ‘Exodus: Gods And Kings’?). Rightfully so, ‘The Martian’ shares its crafty crater of similarities with other space-place spectacles that resonated with the imagination and innovation such as the Academy Award-winning ‘Gravity’ and the under-rated ‘Interstellar’.

Quite frankly, ‘The Martian’ is elegantly arresting in its sheer skin for both the character studies and the major plight involved (particularly anchored on the shoulders of star Matt Damon as the contemplative lead) as well as the trademark Scott-induced flourishes that incorporate crisp and cunning visual special effects and a sweeping musical score that invites a transfixing hold on one’s indelible spirit.

‘The Martian’ is the film adaptation of Andy Weir’s best-selling tome. Scott’s disciplined direction and screenwriter Drew Goddard’s ambitious vision of Weir’s compelling written material seemingly gels in convincing, cerebral fashion. The premise is not wildly original as it revisits the familiar foundation of a lost soul in survival mode trying to take on the treacherous surroundings with philosophical conviction. Nevertheless, this does not make ‘The Martian’ any less formidable in its soul-searching perspective. Scott’s narrative on individualism and isolation with a tremendous technological tilt truly registers with boisterous bounce. Amazingly, Scott has assembled a capable and committed cast that are dedicated to making ‘The Martian’ look resourcefully skillful in its masterful mischievousness. Sure, The Martian’s lengthy running time is staggering but it is compelling enough to invest in its meandering, adventurous narrative.

The ultimate nightmare (or perilous predicament…take your choice) has been realised for one stranded space traveler in Mark Watney (Matt Damon). You see…poor astronaut Watney had the misfortune of losing contact with his commander in Melissa Lewis (Jessica Chastain) and the rest of his crew when undergoing a scientific expedition to examine the terrain on Mars. Courtesy of an unexpected freakish storm Watney is separated from his comrades and believed to be dead as a result of the hazardous weather conditions on Mars. Lewis and her associates have no choice but to head back to Earth as searching for Watney may prove to be futile and endanger their lives as well.

Thus, Mark Watney is basically his own forced-upon version of ‘Robinson Crusoe On Mars’. There is no option for Watney but to allow his major survival instincts to kick in while striving for his jeopardised livelihood on the unpredictable and treacherous Red Planet’s jagged landscape. Despite being stuck in hostile territory, Watney must use his background skills as a trained botanist to cultivate the scarce food he must rely on for his unconventional nutrition. The only ‘companion’ that Watney has to relate to rests in the recorded device that captures his harried thoughts through video diaries (at least this is more practical than what Tom Hanks’s ‘Castaway’ character had in his possession with inanimate object best buddy, Wilson the volleyball).

In the meanwhile, the devastating news about Mark Watney’s possible death far beyond the reaches of home hits his colleagues understandably hard as tributes start to pour in remembrance of the seemingly dearly departed space pioneer. Soon, there is some measure of hope when NASA officials that include head honchos Teddy Sanders (Jeff Daniels from TV’s ‘The Newsroom’), Vincent Kapoor (the Oscar-nominated Chiwetel Ejiofor from ’12 Years A Slave’) and Mitch Henderson (Sean Bean) find evidence that Watney may be alive and ready to be rescued. Naturally, a sense of urgency is warranted to retrieve the weary astronaut without causing too many public relations waves. This puts press aide Annie Montrose (Kristen Wiig) into damage control mode in particular.

Okay...so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Okay…so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Importantly, ‘The Martian’ is clever and carefully conceived because it does not have to rely on the excess baggage to convey its entertainment value in a series of hyperactive and hedonistic happenings. Ridley Scott is soundly methodical in presenting a low-key terrifying tale of loneliness and resiliency and what it takes to handle the pressure of adversity when there is no glimmer of humanity around to reinforce or remind one of such psychological obstacles. The intriguing factor here is the science-friendly serving of intelligence and insight that builds up the audience’s appreciation for the underlying suspense. Interestingly, the conflict approached in ‘The Martian’ is not so much the back-and-forth high-scale struggles of man versus outlandish creature or an over-the-top diabolical deviant out to destroy the world in cartoonish fashion. No, the genuine combative and confrontational war of will is contained in one vulnerable man’s ability to face the unknown grounded in both doubt and determination. Hence, Scott has made a palpable thinking man’s Science Fiction exposition rooted in articulated forethought.

Damon more than holds his own as the disillusioned botanist/astronaut out on an ominous limb as his doomed odyssey of uncertainty is something that the common viewer can embrace and relate to without question. The perceived opulence in ‘The Martian’ is not contained in the film’s production values per se (Scott has made previous movies with more visual vitality and purpose) but subtly showcased in the concepts of knowledgeable tidbits concerning food rations, mathematical equations, crucial time tables, planetary probes, NASA-themed procedural techniques and aerodynamics considerations.

Hopefully, ‘The Martian’ is not dismissed as a foreign alien in the minds of ardent movie-going SF enthusiasts looking for a realistic and soulful space-age adventure with a refreshing backbone of scientific curiosity and candidness.

The Martian (2015)

20th Century Fox

2 hrs. 35 mins.

Starring: Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Michael Pena, Sean Bean, Chiwetel Ejiofor, Kate Mara, Sebastian Stan, Donald Glover and Benedict Wong

Directed by: Ridley Scott

MPAA Rating: PG-13

Genre: Science Fiction/Space Adventure/Science and Fantasy

Critic’s rating: *** 1/2 stars (out of 4 stars)
This is a movie that I have to say that I have a bit of a difficulty in rating. Quite honestly I was sorely tempted to remove a star, or even two stars. Why? Because it is full of Hollywood nonsense, scientific errors, it is rather predictable and it did feel a bit like a Apollo 13 rip-off. Why did I not remove those stars? Well, it is rather entertaining even if, at times, I squirmed in my seat.

The movie starts of with a somewhat implausible event where a unexpected storm hits the Mars camp which forces the ground crew of the Mars mission to hurry back to the launch vehicle before it tilts over. The launch vehicle gradually tilts a degree at the time. Is it just me finding this strange? Would storms on Mars defy the usual rules of weather dynamics that they would exert a constant pressure which would cause a slow but constant tilt of a construct like that. No gusts, no change in pressure? And why would it gradually tilt at all? Once the force would be enough for the landing struts on one side to leave the ground it would pretty much tilt right away. Okay, I am being picky so lets give that a benefit of a doubt for the time being.

Obviously one guy is lost during the dramatic events. This is equally obviously 100% predictable. The fact that the guy is still alive after the rest of the crew blasted off is obviously also 100% predictable but then, this you should have pretty figured out from the title of the move after all.

A lot of the rest of the movie is following this guys quest for survival on Mars using the left over equipment at his disposal and the NASA crew on Earth trying to rescue him. Yes the NASA crew on Earth does discover that he is alive which, again, is pretty much predictable. Of course this gave Hollywood the opportunity to add a utterly dislikable political bureaucrat that is pretty much in the movie for one reason and one reason alone…to be dislikable. Personally I just found him tiresome. But then, Americans seems to like these kind of people given the kind of trash that we see being pushed towards the upcoming presidential elections…from both sides!

There are a lot of good stuff in the movie. Even though it is rather predictable there are some suspense in it, there are a lot of good scenery, and even though you pretty much knows what is going to happen you do feel like cheering for the hero. Given the script I think a lot of the actors did a rather good job of their roles.

If the script writers would have brought on some decent scientific advisors I would say this would have been a great movie but it was frequently goofed up with issues that was just stupid. Like digging down a nuclear reactor a few feet in the ground. What the f… good was that supposed to do? And the constant use of simple plastic and duct tape to seal the environment. Yeah, right. Sure, Mars do have some atmosphere so it is not vacuum we are talking about but then in other scenes they seemed to assume almost zero atmosphere and made quite a bit use of explosive decompression effects.

Okay, okay I am probably nitpicking quite a bit here but, unlike many Science Fiction movies, this one tries to give an impression of being within the realms of realism and it is just too full of classical Hollywood mishaps for my taste.

As I wrote above I still think it is a movie worth watching. It has some suspense, it is well done from a photographic point of view and the actors are doing a decent job. I think 7 out of 10 stars is a fair rating but it should certainly not have more.
This is a movie following the lead started with Gravity with the human main character fighting for survival in space.

The plot has a good combination of suspense, action, humor and drama. Damon performs well and the rest of the cast does a good job and has been well chosen.

It is not a magnificent movie but it is good enough to fill a couple of hours of entertainment.
This movie is very entertaining and really imaginative. The narrative is well controlled so you don't feel bored or exhausted. The part that I like best is when the accident happened and Witney lost all his crops, the despair he had and the noisy scary sound of strong Mars winds blowing outside the base. The real loneliness.

However, this movie's plot was too straight-forward as I see. Nearly every action proposed by the sorts of parties and organization was execute, taking the story forward without stagnation. But this also made everything look too artificial. In comparison, Robinson Crusoe was much more twisted.
Liked it.
***Realistic account of trying to survive on Mars while awaiting rescue***

In 2035 an astronaut (Matt Damon) gets stuck on Mars after he is presumed dead and his team departs without him. When NASA eventually finds out that he’s alive & well they have to find a way to save him. But can he survive for the next couple of years until they arrive? Jeff Daniels plays the director of NASA while Jessica Chastain plays the leader of the vessel. Sean Bean, Chiwetel Ejiofor and several other notables are on hand.

The only way for Ridley Scott’s "The Martian" (2015) to work is if it can convince you that Damon’s character is actually on Mars, which it does spectacularly and realistically (minus a few forced dramatics or stabs at humor here and there). If, like me, you’re fascinated by Mars or the potential of living on another planet in the real world, “The Martian” is a must.

It’s reminiscent of movies like “Armegeddon” (1998), “Mission to Mars” (2000), “Gravity” (2013) and “2001: A Space Odyssey” (1968), albeit without the fantastical elements of some of these. It even brings to mind the first acts of “Planet of the Apes” (1968) and “Beneath the Planet of the Apes” (1970).

The movie scores pretty well on the female front with Chastain, Mackenzie Davis, Kate Mara and Kristen Wiig. Davis looks good in tight pants.

The film runs 2 hours, 24 minutes.

GRADE: A-/B+


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